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It’s difficult finding agents who represent short story collections, because there’s not much money in short stories. But I’ve uncovered half a dozen agents who are seeking short stories and who are currently accepting submissions:
Chad Luibl of Janklow and Nesbit. This is a large firm with many well-known authors. Chad Luibl is an assistant there, very low on the totem pole. But that’s okay; it means he needs clients.
He says: “I tend to lean more toward darker tales and gritty settings, culture-crossing perspectives, structures that are a bit experimental (see David Mitchell’s Cloud Atlas), and always narratives with a strong emotional core. Having lived in Poland and Hungary, I have a niche-interest in books that feel Eastern European in voice/perspective (or explore post-Soviet and Cold War themes), and I find anything that deals with exile and expatriation immediately arresting.”
Specifically, he’s seeking : Commercial and literary fiction, horror, fantasy and, science fiction, crime fiction, mysteries, thrillers, LGBTQ, and military fiction. plus middle grade and young adult fiction. His favourite sub-genres: magical realism, military, southern literary, speculative fiction, and westerns.
In nonfiction, he’s looking for humor, LGBTQ, memoir, pop culture, sports, travel and true crime.
Query Chad at: firstname.lastname@example.org
Include the word “Query” in the subject line. Send your query letter, a synopsis and the first fifty pages of your manuscript attached as a word document.
Katie Grimm of Don Congdon Associates: This is a prominent well-established agency that’s been around since 1938. They represented Ray Bradbury (author of Farenheit 451 among other well-known science fiction books) and currently represent such well-known authors as David Sedaris (Theft by Finding) and Kathryn Stocket (The Help).
Katie joined Don Congdo Assoiciates in 2007. She represents literary fiction (be it voicey, historical, speculative, or mysterious), up-market women’s fiction, cohesive short story collections, and graphic novels.
The key is “cohesive” collections of stories – there needs to be something strong holding them together.
Katie says: “Most generally, I focus on adult literary fiction, narrative nonfiction, middle grade, and young adult fiction. Across all genres and ages, I’ll always be interested in the darker and weirder side of the human condition as well as previously under- or misrepresented experiences and voices.”
Query Katie at: email@example.com
Include the word “Query” and the agent’s full name in your subject heading. As always in a query, include a short description of your work and your relevant background information and must all fit easily on one page. Also paste the first story of your collection into the email. No attachments.
Full submission guidelines here.
Christopher Rhodes has been involved in the publishing business and agenting for years, but only recently joined The Stuart Agency. Prior to that, he was an agent at The James Fitzgerald Agency. Previous to that, he worked at The Carol Mann Agency and in the sales and marketing departments at Simon and Schuster.
Christopher specializes in literary fiction and nonfiction. He’s actively seeking queries in the following areas: literary fiction (including thriller and horror); connected stories/essays (humorous and serious); memoir; creative/narrative nonfiction; history; religion; pop culture; and art & design.
“What would I dearly like to see right now?” says Christopher. “Horror. I really want to read and advocate for a smart and literary horror novel. I don’t get many submissions in this area.”
You can read an interview with Christopher here.
Query Christopher at: firstname.lastname@example.org
For fiction, include the first 50 pages; for nonfiction, include a proposal. A Word document or a PDF is fine.
Waverly Place Literary Agency. This is a one-woman outfit for literary agent Debbie Carter, Who doesn’t seem to have many (or perhaps any) sales. This agency should be a last resort. She’s seeking short story and poetry collections with popular appeal.
Sarah Yake has been with Frances Collin Literary Agency since 2005 and handles foreign and subrights in addition to her own client list.
“A quirky, interesting voice is my number one consideration,” says Sarah. “I love a touch of humor, whether overt or sly. My reading tastes are wide-ranging and my goal is to keep building a similarly diverse, multi-genre list.”
Specifically, in fiction, she’s looking for action/adventure, commercial, fantasy, general fiction, historical, literary, science fiction, women’s fiction and short story collections.
She also seeks middle grade and young adult fiction.
In nonfiction, she’s looking for biography, history, LGBTQ, memoir, and pop culture.
Query Sarah at: email@example.com
Paste the first five pages of your manuscript into the email. No attachments.
Full submission guidelines here.
Renée Zuckerbrot founded the Renée Zuckerbrot Literary Agency after working as an editor at Doubleday and Franklin Square Press/Harper’s Magazine. She is a member of the AAR and Authors Guild. She serves on PEN’s Membership Committee, and is a Board member of the Council of Literary Magazines and Presses (CLMP) and Slice Magazine. You can read an interview with Renée and her colleagues at Poets & Writers. See her top ten list of short stories at Storyville.
Authors represented by Renée have won or been nominated for the Pulitzer Prize, the PEN/Robert W. Bingham Prize for Debut Fiction, the PEN Jacqueline Bograd Weld Prize for Biography, the National Magazine Award, the William Saroyan International Prize for Writing, the NYPL Young Lions Fiction Award, B&N’s Discover Great New Writers Award, the Story Prize, the PEN/O. Henry Prize, the Shirley Jackson Award, the Locus, the Hugo, the Nebula, the Pushcart, and others.
Renée’s own boutique agency, seems to be part of Massie & McQuilkin Literary Agency, which means she has the backing of a much larger agency.
Renée is seeking literary and commercial adult fiction and narrative nonfiction, with a particular focus on science, history, and popular culture.
Query Renée at: Submissions@rzagency.com
Include a synopsis of your project, your publication history (if any), a brief bio, and your contact information. Please also attach an excerpt, up to three sample chapters (or three short stories), as one Word document. The attachment should be paginated and double-spaced.
|Bringing Up Beauty by Sylvia McNicoll,|
one of the guest speakers for
the Writing Kid Lit class
Brian Henry will lead “You can write great dialogue," workshops on Saturday, July 15, in Mississauga (see here) and Saturday, July 22, in London (see here).
And there are three weekly creative writing courses, introductory to advanced, starting soon:
Exploring Creative Writing, Tuesday afternoons, July 4 – August 22, in Burlington. See here.
Next Step in Creative Writing, Wednesday evenings, July 5 – August 23, in Burlington. See here.
Intensive Creative Writing, Wednesday afternoons, July 5 – August 23, in Burlington. See here.
Details of all three courses here.
Brian Henry will lead a Writing for Children & for Young Adult workshop on Saturday, August 12, in Collingwood with literary agent Monica Pacheco (see here).
In the fall, Brian will lead a weekly Writing Kid Lit class, Thursday mornings, Oct 5 – Nov 30, in Oakville, with guest authors Sylvia McNicoll and Jennifer Mook-Sang (see here).
Note: For updated listings of Writing for Children & for Young adult workshops and for weekly Kid lit classes, see here (and scroll down).
Join us for a Fall Colours Writing Retreat, at Arowhon Pines Resort in Algonquin Park, Friday, Sept 15 – Sunday, Sept 17 (see here).
Also, in the fall, Brian will lead a full range of courses, including (for the first time) a creative writing course in Toronto:
|Speechless by Jennifer Mook-Sang,|
one of the guest speakers for
the Writing Kid Lit class
Intensive Creative Writing, Monday mornings, Sept 25 – Dec 4, in Toronto. See here.
Next Step in Creative Writing, Tuesday afternoons Sept 19 – Nov 21, in Burlington.
Extreme Creative Writing, Wednesday afternoons,Sept 20 – Dec 6, in Burlington
Writing Personal Stories, Wednesday evenings, Sept 27 – Nov 15, in Burlington. See here.
Writing Kid Lit, Thursday mornings, Oct 5 – Nov 30, in Oakville, with guest authors Sylvia McNicoll and Jennifer Mook-Sang. See here.
Welcome to Creative Writing, Thursday afternoons, Sept 28 – Nov 30, in Burlington
Intensive Creative Writing, Thursday evenings, Sept 28 – Nov 30 in Georgetown. See here.
For more information or to reserve a spot in any workshop, retreat, or weekly course, email firstname.lastname@example.org
Read reviews of Brian’s courses and workshops here.
See Brian’s complete current schedule here, including writing workshops and creative writing courses in Algonquin Park, Bolton, Barrie, Brampton, Burlington, Caledon, Georgetown, Guelph, Hamilton, Ingersoll, Kingston, Kitchener, London, Midland, Mississauga, Oakville, Ottawa, Peterborough, St. Catharines, Saint John, NB, Sudbury, Thessalon, Toronto, Windsor, Woodstock, Halton, Kitchener-Waterloo, Muskoka, Peel, Simcoe, York Region, the GTA, Ontario and beyond.
Navigation tips: Always check out the labels underneath a post; they’ll lead you to various distinct collections of postings. Also, if you're searching for a literary agent who represents a particular type of book, check out this post.